Zim artist transforms banknotes into thought-provoking artworks
By Ndumiso Tshuma
Zimbabwean-born artist Mandlenkosi Mavengere, currently based in Johannesburg, South Africa, is gaining recognition for his artwork that delves into themes of migration, ambition, human rights, and socio-economic challenges.
Through a distinctive artistic perspective, Mavengere intertwines personal narrative with social commentary, highlighting the often-overlooked experiences of migrants and the hardships they endure.
Mavengere’s journey began at a young age when he migrated to South Africa after completing his Form Four education in Zimbabwe. He recalls that his plans didn’t unfold as expected, and he found himself needing to survive on his own. It was during this time that art became his sanctuary.
“Things didn’t go as I expected, and I had to fend for myself. Art became my refuge—it was something I had been passionate about from a young age, and I believe I was born to create,” said Mavengere.
His artistic journey flourished as he connected with various workshops and art spaces, eventually enrolling at Artist Proof Studio, where he honed his printmaking skills.
“In my third year at Artist Proof Studio, we were tasked with developing a concept of our choice. It was then that I began to reflect deeply on my identity and how I could express my life story through art,” Mavengere explained.
One of the key themes he tackles is the experience of migration in South Africa, particularly the difficulties faced by those seeking better opportunities. Mavengere noted that one of the most striking aspects of being a migrant is the economic conditions in Zimbabwe.
“I realised that what stands out the most is the inflation in my country. I began collecting old Zimbabwean bearer cheques and banknotes, exploring how I could incorporate them into my art,” he said.
Mavengere’s creative process involves recreating Zimbabwean banknotes using engraving techniques on metal plates and linoleum.
“I started by using metal plates to recreate banknotes, a process called etching. As I progressed, I transitioned to linoleum, carving the material to form rubber-like tiles. When you roll ink over the surface, the carved areas remain ink-free, creating the image. That’s how I began making art banknotes,” he explained.
These engraved banknotes are then assembled into collages, forming a powerful commentary on the lives of ordinary citizens—individuals Mavengere considers the unsung heroes of their families.
“After creating these banknotes, I join them together to form collages. I like to depict everyday people, the unsung heroes of their families. These are the people who leave their homes, cities, and countries to work and provide for their loved ones,” Mavengere said.
Through his art, Mavengere aims to challenge perceptions and engage viewers in meaningful conversations about migration and its socio-economic impact.
“I hope to tell the stories of ordinary people and how their lives are shaped by the socio-economic conditions of their countries. My goal is to creatively document these experiences, giving a voice to those who often go unnoticed, and sparking conversations that matter,” he concluded.